文艺复兴（13世纪起）的欧洲，在没有相机的时代，画家用精深的技艺，记载其时的富贵与美丽。

  在西方的古典油画中人物一向是以繁复精巧的衣服，光辉耀眼的珠宝展示的。珠宝配佳人，让人入神。

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  这极端检测画家的才能，描写珠宝的每一个细节，从珠宝的艳丽灿烂到镶嵌雕琢，都逐个展示出画家深沉的功力。

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  从画中清楚明了，文艺复兴时期的欧洲富贵似锦，皇室的女性佩带各种宝贵的珠宝，从红宝石、翡翠到珍珠，穿戴富丽的服饰，就连普通老百姓的日常都带上了珠宝。

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  贵族的豪华和文艺的气质滋养了欧洲这块珠宝茂盛之地，为各国设计师们带来连绵不断的时髦创意，千百年来影响并带动着国际的珠宝盛行趋势。

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  其时欧洲的富贵现已远远超出了咱们的幻想，她们佩带的珠宝都是一大串一大串的，宝石都是大颗的，佩带都是一整套，从皇冠、头饰、耳饰、项圈、胸针、手链、戒指无一落下。

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  现在就算拥用珠宝最多的伊丽莎白二世女王，她也很少佩带得如此富丽，可想而知在文艺复兴的欧洲，多么繁荣昌盛。

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  酷爱珠宝的小编，着实仰慕那个时代的女性，珠宝首饰一打一打的，也敬服那个时代的画家功底深沉。

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  看完油画里的这些珠宝首饰，不由感叹不管阅历多少年月，咱们仍然能够感觉到它们的光辉，这或许便是珠宝的法力，即便年月变迁，珠光宝气 永恒不变。